Those of
you who are familiar with Italo Calvino’s rendition of Marco Polo’s account to Kublai
Khan of the cities in his empire, might wonder why the traveler omitted his
impressions of Eludia, a metropolis with which I am familiar.
When you
arrive at Eludia, you enter a city which appears unremarkable. Protected by
sturdy walls, boulevards are surrounded by handsome houses. In the
thriving market, old men sell
oranges and avocados, young men hawk knick-knacks and girls stroll with their arms around one
another’s waists. The population enjoys
well-funded amenities and when they are not at work can relax in public parks
with fountains, amusements and ice cream vendors. Order is maintained by gendarmes equipped with truncheons
to deter thieves and flags for directing traffic. When a pedestrian
accidentally brushes against someone proceeding in the opposite direction, each
apologizes to the other, bows slightly and continues along their way.
If the
young Venetian had tarried longer in Eludia, not merely pausing to partake of spiced
fruits and marvel at the bas-relief effigies of the city's rulers embellishing
the façade of the city hall, he would have observed a peculiarity in the demeanor
of the inhabitants. Many appear of sunny and optimistic disposition. Smiles
play about the corners of the women's mouths, the men whistle as they tend cattle waiting to be auctioned. But
an equal number, no less prosperous in appearance and chaperoning equally
handsome beasts, would
have struck him as unaccountably morose.
This
division is caused by the citizens’ compulsion to examine their appearance each
morning in their mirrors. If their looking glass detects discomfort, perhaps
occasioned by some imperceptible disturbance of the digestion, it will return an
unattractive image. A woman's luxuriant auburn hair might be degraded to scant grey locks, while a man’s noble bearing may
be reduced to the stoop of a pauper. Such images portend bad luck and the viewer
is beset all day by the fear of possible disasters, which may turn out to be as
trivial as a broken shoelace or as momentous as the loss of a ship. Those who appease
the mirror, whether as
a result of a temperate appetite or simply by a fortuitous flicker of
the eyebrows, are rewarded with
a flattering reflection indicative of good fortune, and hope to find a coin in
the street or celebrate the birth of a healthy child.
After a
week in Eludia, Marco Polo would have begun to wonder at the fluctuation of the
temperaments of the barista in his coffee
shop and the costermonger who supplied his apricots. Anyone who betrayed fear on one day, would on the next seem positive, while those who were optimistic
the previous day are now possessed by gloom. These rhythms are a consequence of the predictions
of the looking glasses. Those who are buoyed by receiving a pleasing countenance
on one day and relish the prospect of success become gradually more fearful of
the next day's forecast and transmit their anxiety to the
capricious mirror thus forfeiting
its goodwill. Those who have been vexed by impending bad luck, become hopeful that the next day
will bring improvement, and the mirror responds accordingly.
The seeds
of each day's mood is inherent in the previous day's forecast thereby keeping
the city of Eludia in equilibrium and enabling its mercantile activities and
civic affairs to function effectively at the price of the perpetual torment of
its population.